Collections record Beta

Oil Painting - Edgar Beach Van Winkle (1841-1920)

1981-27-1

Oil on canvas portrait of Edgar Beach Van Winkle in c. 1890 clothing, The Rosette of the Military Order of Loyal Legion in left lapel. With engineer's tools, blue print and leather bound books on table in front of him. Skyline of NYC in background with the underside of a stone bridge just behind the sitter. Wooden frame with plaster decoration, painted gold. Signed "A Sheldon Pennoyer 1929" in bottom right hand corner. Painted by Sheldon Pennoyer after a photograph of Mr. Van Winkle.

SITTER: Edgar Beach Van Winkle, (1841-1920) was born in NYC son of Edgar S. and Hannah S. Beach Van Winkle. BA from Union College in 186, CE in 1861. Served in Civil War from 1862-65, and was Captain of the 103rd US Colored Infantry. A civil engineer in NYC, Chief Engineer of Department of Public Works, 1876-1884. He served as the Colonel of Engineers, First Division, NY National Guard, 1876-1884. Served as Officer of the Military Order of the Loyal Legion and the Sons of the Revolution. Member of Holland Society, the American Society of Civil Engineers and served as Treasurer of the LHS from 1895-1920. ARTIST: Albert Sheldon Pennoyer was born in Oakland, California, on April 5, 1888. He studied briefly at the University of California moving to Paris in 1912 to study architecture. The following year he gave up architecture and instead took up painting and studied at the Académie Julian and Académie de la Grand Chaumiére. He returned to the United States at the onset of World War I, and served from 1917 to 1920 in the camouflage unit of the Army Corps of Engineers, and then from 1920 to 1928 in the Officers’ Reserve Corp. In 1921, Pennoyer set up a studio in New York City where he would work at regular intervals for the next thirty-eight years. Pennoyer also spent large amounts of time at his mother’s home in Litchfield, producing Connecticut landscapes in pastel and oil and multiple scenes of Litchfield, both past and present. Pennoyer served again in World War II, first with the U.S. Army Air Force and the Corps of Engineers before joining the Monuments, Fine Arts, and Archives program (MFAA, better known as the Monuments Men). Given a Leica camera, a car, and a driver, Pennoyer was involved in the repair, recovery, and documentation of cultural heritage in Italy from 1943-1945. Pennoyer assisted in the recovery and return of artwork evacuated from public collections by Italian officials and storage in safer repositories in the Tuscan countryside. His photographs document the work of the MFAA, the destruction of monuments and buildings caused by German occupation and allied bombing, and the physical and emotional toll felt by the residents.

• Pennoyer, Albert Sheldon, 1887-1957

1929

55 1/2" H x 45 1/4" W x 2" D

• canvas
• wood
• oil